Gerry Coogan songs
Kyle and I have always been amused by the confusion that seems to be caused by the fact that a couple of Glasgow boys should be into reggae. Even when we were teenagers,(a few weeks ago) our peers would consider a partiality for Ital Rhythms to be a bit left-field while our elders considered it to be only just short of sedition. Were we downhearted by the raising of quizzical eyebrows and the murmur of suspicion? Serpently not - we revelled in it!
Kyle came up with the expression "Ital Albino" to describe the palest hue of reggae acolyte and we made up this little four-minute ditty to hymn the praises of those who are quite comfortable with their own non-conformist direction despite the reservations of the Straights.
The word "ital", (which rhymes with "vital") is a term used in Rasta culture to describe that which is pure, acceptable and in keeping with the principles of the Rastaman.
To those unversed in the intricacies of reggae, it might be worthwhile explaining that when a rhythm is working well, it is said to "drop". In most forms of popular music, the first beat of the bar is the centre of gravity for the rhythm but in reggae the stress "drops" into the third beat and that's what gives the genre its distinctive feel.
In the middle of the song there's a small "dub section", which is very much a reggae invention; the engineering wheeze of breaking down the arrangement into its constituent parts and creatively emphasizing them with massive reverbs and echoes. Merely a taster in this instance, but in live performance an extended dub can be hugely exhilarating.
Kyle sings the lead, and does the guitars, bass and drums. I sing a teeny, weeny, little bit of backing vocals. I do get to have lots of fun on the keyboards though. Enjoy!
JahLove; ~GerryMATW.
The Ital Albino
(Words and Music by Gerry Coogan and Kyle Robertson)
The teacher refer I, when I was at school
She say what I am must be breaking some rule
At early assembly they all sing their song
But I get detention for skanking along
The doctor was puzzled, he seemed so bemused,
Describing my symptoms he got more confused,
Consulting his colleagues, he finally was sure
An Ital Albino don't need no cure.
That's who I am and I won't change now
That's who I am and I won't change,
I won't change now.
Suspicious policeman, he biding his time,
So keen to arrest me for some kind of crime,
Possession of rhythm, the charge I copped,
A Windowman rhythm - is sure to be dropped.
I look for assistance, the Scriptures they say,
Jah, in His wisdom, He made I this way,
An ivory-cased Rasta, some think it's strange,
But I see no problem, I don't wanna change.
Why should I change?
I'm a fool for the rhythm of love of the dread,
An Ital Albino, my friends have said,
A Rasta contained in an ivory case
Dropping the rhythm to drum and the bass.
An Ital Albino, some think it's rare,
A blending of cultures from everywhere,
Don't hold back on feelings you need to express,
Relieving your pressure is your music's success.
That's who I am and I won't change now
That's who I am and I won't change,
I won't change now.
Kyle came up with the expression "Ital Albino" to describe the palest hue of reggae acolyte and we made up this little four-minute ditty to hymn the praises of those who are quite comfortable with their own non-conformist direction despite the reservations of the Straights.
The word "ital", (which rhymes with "vital") is a term used in Rasta culture to describe that which is pure, acceptable and in keeping with the principles of the Rastaman.
To those unversed in the intricacies of reggae, it might be worthwhile explaining that when a rhythm is working well, it is said to "drop". In most forms of popular music, the first beat of the bar is the centre of gravity for the rhythm but in reggae the stress "drops" into the third beat and that's what gives the genre its distinctive feel.
In the middle of the song there's a small "dub section", which is very much a reggae invention; the engineering wheeze of breaking down the arrangement into its constituent parts and creatively emphasizing them with massive reverbs and echoes. Merely a taster in this instance, but in live performance an extended dub can be hugely exhilarating.
Kyle sings the lead, and does the guitars, bass and drums. I sing a teeny, weeny, little bit of backing vocals. I do get to have lots of fun on the keyboards though. Enjoy!
JahLove; ~GerryMATW.
The Ital Albino
(Words and Music by Gerry Coogan and Kyle Robertson)
The teacher refer I, when I was at school
She say what I am must be breaking some rule
At early assembly they all sing their song
But I get detention for skanking along
The doctor was puzzled, he seemed so bemused,
Describing my symptoms he got more confused,
Consulting his colleagues, he finally was sure
An Ital Albino don't need no cure.
That's who I am and I won't change now
That's who I am and I won't change,
I won't change now.
Suspicious policeman, he biding his time,
So keen to arrest me for some kind of crime,
Possession of rhythm, the charge I copped,
A Windowman rhythm - is sure to be dropped.
I look for assistance, the Scriptures they say,
Jah, in His wisdom, He made I this way,
An ivory-cased Rasta, some think it's strange,
But I see no problem, I don't wanna change.
Why should I change?
I'm a fool for the rhythm of love of the dread,
An Ital Albino, my friends have said,
A Rasta contained in an ivory case
Dropping the rhythm to drum and the bass.
An Ital Albino, some think it's rare,
A blending of cultures from everywhere,
Don't hold back on feelings you need to express,
Relieving your pressure is your music's success.
That's who I am and I won't change now
That's who I am and I won't change,
I won't change now.
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